Admission Information and Audition Procedures

Admission Information and Audition Procedures

Basic Admission Process

 

Basic Admission Process

All undergraduate applicants to the BYU School of Music must follow the application process below, but the auditions for each instrument are slightly different. For specific information for each instrument or area of study, please visit that area's section below.

Music Education students should be advised that the admission process for Choral or Elementary Music Education is independent from the general School of Music audition process. Please see the Music Education section below.

Application Process

  1. Apply for admission to the university.
    Note:Often students do not find out whether they have been accepted to the university until after their audition with the School of Music.
  2. Complete and submit a School of Music Undergraduate Admission and Scholarship Application by January 15, 2013. (December 1, 2012, for classical voice students)
    Note:To complete this application, you will need a NET ID user name (not a BYU ID number) and password, which are assigned when you apply to BYU for general admission (see above).
  3. Prepare for your audition by reviewing the audition requirements. (See the menu below.)
    Note:Composition, Media Music, and Sound Recording students still must complete an audition for a specific instrument.
  4. Classical voice students only:Submit a pre-screening DVD by the deadline below. Please see the Vocal Audition DVD Tips. The vocal studio will review the pre-screening DVDs, and will then invite a number of them to come to the live audition in January.
    If you are invited to the final audition, do the following:
  5. Take the Aural Skills Exam.
  6. Composition students only:Submit a portfolio of three original compositions. (See composition audition requirements to the left.)
  7. Media Music students only:Submit a media portfolio directly to Ron Saltmarsh. This submission is separate from the audition and helps assess aptitude for the Media Music major. The portfolio should consist of three recorded examples of your best original work. We understand that each student will have unique areas of talent and skill. The portfolio may be brought in person or mailed to:

Ron Saltmarsh
Commercial Music
1128B Richards Building
Brigham Young University
Provo, Utah 84602-2018

  1. Sound recording students only:Submit a résumé and a statement of interest directly to Ron Saltmarsh, possibly including examples of recordings already undertaken. Résumés and statements of interest may be emailed to ron_saltmarsh@byu.edu, faxed to 801-422-0534, or mailed to:

Ron Saltmarsh
Commercial Music
1128B Richards Building
Brigham Young University
Provo, Utah 84602-2018

  1. Audition by doing one of the two options:
    1. Live audition at BYU on the last Saturday in January
      • Your online application must be completed before you can schedule an audition. If you have completed your application materials, you may schedule your audition on your online application page. Please be sure to schedule your time before the week of the audition.
      • Auditions are held in the Harris Fine Arts Center. For driving directions and hotel information, click here.
    2. Recorded audition DVD mailed in to the School of Music by the appropriate deadline (if you are unable to come to BYU for a live audition).

Send DVDs to:
School of Music Admissions
Brigham Young University
C-550 Harris Fine Arts Center
Provo, UT 84602

Deadlines

BYU Application

December 1, 2012 (priority); February 1, 2013

Pre-screening Audition DVD
(Classical voice students only)

December 1, 2013

School of Music Application
(Classical voice students only)

December 1, 2012

School of Music Application (All others)

January 15, 2013

Recorded Audition

January 15, 2013 (postmarked)

Portfolio (Composition students only)

January 15, 2013 (postmarked)

Media Portfolio
(Media Music students only)

Accepted up to day of audition, January 26, 2013.
(If you plan on mailing your portfolio, do so early to ensure timely arrival.)

Résumé and Statement of Interest
(Sound recording students only)

Accepted up to day of audition, January 26, 2013.
(If you plan on mailing your portfolio, do so early to ensure timely arrival.)

Aural Skills Exam

January 26, 2013

Live Audition

January 26, 2013

Aural Skills Exam FAQs

Aural Skills Exam FAQs

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The Aural Skills Exam, or Aliferis Test, is a three part listening exam required for students auditioning for the School of Music. It includes a harmonic, melodic, and rhythmic section. There are 64 multiple choice questions. The test is recorded on a CD and takes approximately 35 minutes.

Do you have to take this test to be admitted to the School of Music?

Yes. The only way you are exempt from this test is if you have taken the AP Music Theory test and received a 4 or higher on the aural portion of the Exam. If you wish to waive the test, please fax a copy of your AP Score Sheet to us at 801‐422‐0533. A good score on the Aliferis Test is often helpful in making a decision between close candidates for admittance. It is also required before you can register for any music major classes.

When do I have to take the exam?

In order for your scores to be considered with your School of Music application, we need to receive your scores on or before the last Saturday in January.

What is a passing score for the exam?

There is not a specific passing score, but students accepted to the School of Music typically get at least half of the questions correct (out of 64 questions).

How many times can I take the exam?

You may take the exam as many times as you would like. We keep only your highest score.

How do I take the test?

There are three ways you can take the test:

  1. On audition day (the last Saturday in January). It is offered twice: at 10:00 a.m. and 2:00 p.m. You do not need to sign up in advance and it is offered at these times free of charge. All the materials for the test are provided. Ask at check‐in where the test will be held, and please arrive a few minutes early.
  2. Through the BYU Testing Center by appointment only. You must call 801‐422‐6147 to schedule an appointment. Appointments are only scheduled Monday–Friday between 8:00 am to 5:00 pm. There is a $5 charge and you must bring headphones and a current photo ID.
  3. Through a proctor. You may request to take the test through a proctor if you meet all the following criteria:
    • You are NOT coming to campus for a live audition
    • You live outside of Utah County
    • You are unable to come to BYU Campus and take the test in the Testing Center
    If you meet ALL these criteria, you may request a proctored exam. The proctor should be a music teacher, either from a school or from private lessons. To arrange to take the test through a proctor, call 801-422-2660 or send an email to musicadmissions@byu.edu with the following information:
    • Proctor's name, mailing address, phone number and/or email address
    • Student's name, phone number, and email address
    The test will be mailed directly to your proctor as soon as an exam becomes available. This process takes at least two weeks and may take over a month, so you will want to do this as far in advance of auditions as possible.
How can I prepare for this exam?
  • Enrolling in Music 190 at BYU (if you are a current BYU student).
  • Studying a good beginning music theory text, such as Paul O. Harder and Greg A. Steinke's Basic Materials in Music Theory: A Programmed Course, 9th ed. (Upper Saddle River, NJ: Prentice Hall, 1999).
  • Practicing your ear training with such computer programs as Musica Practica and Guido.
  • Studying at an appropriate web site, such as www.musictheory.net

For more questions about the Aural Skills Exam, please contact us at 801‐422‐8903, or send an email to musicadmissions@byu.edu.

Bass

Double Bass

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All School of Music applicants must audition on their chosen instrument. To audition, complete a Music Admission/Scholarship Application and submit a letter of recommendation from a qualified music teacher online. Once the audition materials have been submitted to the School of Music, the student may either schedule a time to perform a live audition at BYU, or submit a DVD/VHS videotape or CD/cassette audiotape.

It may not be possible to hear all the music prepared for a live audition. Representative samples or sections of audition pieces will be heard. Only those auditioning are allowed in the audition studio.

Admission Application & Audition Dates, Fall Semester 2012

January 15: Application deadline for both live and recorded auditions.
January 22: Deadline to schedule a live audition. Auditions can be scheduled online after both the application and recommendation have been received by the School of Music office.
January 28: Live auditions are held in the Harris Fine Arts Center (HFAC) at BYU in Provo, Utah.

Click here to apply.

Questions? E-mail us at music@byu.edu or call the School of Music at 801-422-8903.

Graduate applicants: Please contact Claudine Bigelow at 801-422-1315 or Claudine_Bigelow@byu.edu.

Audition Requirements

Technique
  1. Major scales, two octaves, played in quarter-notes at 100/bpm. Select two of the following keys: B, B, C, D, or E.
Repertoire
  1. Two pieces of contrasting tempo and style. They may be movements from the same sonata or concerto, or different pieces all together. They should display technical proficiency up to the octave harmonic on the G string.
  2. Two excerpts from the standard orchestral literature, for example, from symphonies by Beethoven, Brahms, Mozart, or others.
  3. For students interested in Jazz Studies, be able to demonstrate the following:
    • Play major scales, jazz scales and modes.
    • Demonstrate an ability to play in the current swing, Latin, and rock idioms.
    • Play a bass line from a chord lead sheet (like those found in The Real Book or other similar publications).
    • Sight-reading (for live auditions only).

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Bassoon

Bassoon

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All School of Music applicants must audition on their chosen instrument.  To audition, complete the online School of Music application, including a letter of recommendation from a qualified music teacher. Once the application has been submitted, the student will be able to either schedule a time to perform a live audition at BYU, or mail a DVD or CD recording.

 

It may not be possible to hear all the music prepared for a live audition.  Representative samples or sections of audition pieces will be heard.  Only those auditioning are allowed in the audition studio.  For live auditions, piano accompaniment is not required, but you may bring an accompanist if you would like.

Admission Application & Audition Dates, Fall Semester 2013

 

January 15:      Application deadline for both live and recorded auditions.

January 21:      Deadline to schedule a live audition. Auditions can be scheduled online after the application has been received by the School of Music office.

January 26:      Live auditions are held in the Harris Fine Arts Center (HFAC) at BYU in Provo, Utah.

 

To apply, go to http://music.byu.edu/apply.

For general information, see the School of Music website http://music.byu.edu.

Questions may be emailed to music@byu.edu or call the School of Music at 801-422-8903.

Recorded Auditions should be mailed to: School of Music Admissions, Brigham Young University, C-550 HFAC, Provo UT 84602-6410

 

Graduate applicants: Please contact April Clayton at 801-422-1177 or April_Clayton@byu.edu.

 

Audition Requirements

Prepare the following:

1.   Two contrasting etudes from the Weissenborn 50 Advanced Studies

2.   One solo of your choice (no accompanist necessary)

3.   Chromatic Scale

a.   Three octaves (or more, if possible)

b.   Recommended Tempo: ♫=100

4.   Major scales

a.   Full range, if possible (for example C major can be played three octaves; G major can be played two octaves plus three notes, to high C)

b.   In eighth notes (recommended tempo, ♫=100)

5.   Harmonic minor scales (not required, but encouraged)

a. Full range, if possible (for example C harmonic minor can be played three octaves; E harmonic minor can be played two octaves, and five notes, to high C)

            b. In eighth notes (recommended tempo, ♫ =100)

 

Note: selections need not be memorized

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Cello

Cello

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All School of Music applicants must audition on their chosen instrument. To audition, complete a Music Admission/Scholarship Application and submit a letter of recommendation from a qualified music teacher online. Once the audition materials have been submitted to the School of Music, the student may either schedule a time to perform a live audition at BYU, or submit a DVD/VHS videotape or CD/ cassette audiotape.

It may not be possible to hear all the music prepared for a live audition. Representative samples or sections of audition pieces will be heard. Only those auditioning are allowed in the audition studio. For live auditions, piano accompaniment is not required.

Admission Application & Audition Dates, Fall Semester 2012

January 15: Application deadline for both live and recorded auditions.
January 22: Deadline to schedule a live audition. Auditions can be scheduled online after both the application and recommendation have been received by the School of Music office.
January 28: Live auditions are held in the Harris Fine Arts Center (HFAC) at BYU in Provo, Utah.

Click here to apply.

Questions? E-mail us at music@byu.edu or call the School of Music at 801-422-8903.

Graduate applicants: Please contact Julie Bevan at 801-422-2187 or Julie.bevan@byu.edu.

Audition Requirements

Technique
  1. Any two scales, one major and one minor, four octaves. Prepare to play the major scale spiccato with sixteenth notes at a tempo of  = 72 m.m. or faster. Play the minor scale with eighth notes slurred at a tempo of a  = 72 m.m.
  2. Arpeggio in a major key in four octaves, three notes to a bow.
Repertoire
  1. One movement of a standard concerto. This should be memorized.
  2. One movement of a sonata or piece for cello and piano. This music should be from a period other than that of the concerto.
  3. Two contrasting movements from the cello suites of J. S. Bach. For example: Prelude and Courante, Sarabande and Gigue.

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Choral Ensembles

Choral Ensembles

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The five choral organizations at BYU give interested students a challenging and rewarding opportunity to participate in a choir that exposes them to all facets of choral literature. Both music majors and non-music majors are encouraged to audition. Each year approximately 75% of the membership in our select choirs is made up of non-music major students who love to sing.

Brigham Young University Singers
The BYU Singers, a highly select ensemble of 40 advanced, flexible singer-musicians, is known for their polished and moving performances of the best of music written for choir. From Moscow to Jerusalem, London to Sydney, and New York to Vienna, the reports are the same: this spellbinding, versatile ensemble is precise and unified, with an impressive flair for stylish and expressive performance.

Concert Choir
A highly select ensemble of approximately 90 advanced singers, the Concert Choir is dedicated to the performance of the great choral literature. Its repertoire encompasses a wide range of styles, from works of the Renaissance to contemporary periods.

Men's Chorus
The Brigham Young University Men's Chorus is possibly the largest collegiate male choral organization in the country. Founded in 1958, it has steadily grown to its present membership of 200 voices. As a result of its versatile literature and engaging performance style, the BYU Men's Chorus has captured the admiration of audiences throughout the Western United States and beyond.

Women's Chorus
This high caliber ensemble of up to 180 singers is winning a vast new audience with their performances as featured guests on the last three Homecoming Spectacular programs broadcast on KBYU and BYU TV. The Women's Chorus has build a well-deserved reputation for highly musical performances that encompass moving pieces of extraordinary beauty as well as fun-filled show-stoppers. Their first CD, an exciting mix of choral classics, beloved hymns, and finger-snappin' folk and jazz, was released fall 2008.

Audition Process

Dates: Thursday, Friday, and Saturday before the Fall Semester starts (during Freshman and New Student Orientation Week)

How to Sign-up: Sign-up sheets will be posted on the third floor, E-wing, bulletin board in the Harris Fine Arts Center approximately one week before school starts. Sign-ups are at any time.

What to sing: You should arrive at your audition prepared to sing a song with which you are familiar and comfortable. A hymn will do nicely. No arias, please.

Please go here for complete audition information.

This is the screening audition for all choirs.

Additional Vocal Ensembles

University Chorale
This large open-enrollment choir allows all interested students the opportunity to be involved in a choral organization. The chorale performs a variety of music from many different styles.
No audition required.

Jazz Voices
Jazz Voices is a group of 16 jazz singers with four musicians as an added rhythm section. The ensemble features typical jazz close harmony. Individual members learn to improvise in the style of idioms of mainstream jazz. Syncopation has been featured at the International Convention of International Association of Jazz Ensembles and the Lionel Hampton Jazz Festival. For more information contact Katie Williams at katiewilliams.music@gmail.com.

Vocal Jazz Ensemble
The Vocal Jazz Ensemble is a group of 24 singers with a rhythm section. It is a great ensemble for talented students who are interested in exploring the vocal jazz idiom. This ensemble performs each semester on campus. For more information contact Katie Williams at katiewilliams.music@gmail.com.

Young Ambassadors
Young Ambassadors is a singing, dancing, musical theatre company that conducts worldwide tours. The 20 singer/dancers (10 women, and 10 men), four musicians, and 10 technical personnel perform both Fall and Winter semesters. A four-week tour follows Winter Semester. Auditions for Young Ambassadors take place every year in April. Posters announce location and times, and information can be obtained from the RB Music Office, 801-422-2563.

Auditions for Young Ambassador Show Band begin in April. Occasionally positions remain open into the second week of September. The band is essentially a rhythm section, with piano, guitar, bass, and drums. The show requires experience in all styles of popular music and jazz.

Music Theatre/Opera
Each semester the School of Music, the Department of Theatre and Media Arts, and the Department of Dance cooperate in the production of a fully staged Broadway musical in one of the five theatres in the Harris Fine Arts Center. Performance opportunities are also available in the form of music theatre sketches and Mask Club performances. Each semester music theatre performance classes are offered to qualified students by the School of Music (Opera) and the Department of Theatre and Media Arts (musicals and Mask Club). University credit is available for students performing in major productions. Contact Lawrence Vincent at 801-422-3165 or Lawrence_Vincent@byu.edu for audition information.

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Clarinet

Clarinet

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All School of Music applicants must audition on their chosen instrument. To audition, complete a Music Admission/Scholarship Application and submit a letter of recommendation from a qualified music teacher online. Once the audition materials have been submitted to the School of Music, the student may either schedule a time to perform a live audition at BYU, or submit a DVD or VHS videotape. Please position the camera so the embouchure and fingers are visible. Audio Recordings will not be accepted.

It may not be possible to hear all the music prepared for a live audition. Representative samples or sections of audition pieces will be heard.

 

Admission Application & Audition Dates, Fall Semester 2013

 

January 15:      Application deadline for both live and recorded auditions.

 

January 21:      Deadline to schedule a live audition.  Auditions can be scheduled online after the application has been received by the School of Music office.

 

January 26:      Live auditions are held in the Harris Fine Arts Center (HFAC) at BYU in Provo, Utah.

 

To apply, go to http://music.byu.edu/apply.

For general information, see the School of Music website http://music.byu.edu.

Questions may be emailed to music@byu.edu or call the School of Music at 801-422-8903.

Recorded Auditions should be mailed to: School of Music Admissions, Brigham Young University, C-550 HFAC, Provo UT 84602-6410

 

Graduate applicants: Please contact April Clayton at 801-422-1177 or April_Clayton@byu.edu.

 

Audition Requirements

 

Prepare the following:

 

Technique

  1. Scales: Perform five major and five natural minor scales (of your choice) with at least a two-octave range in sixteenth notes at a tempo no slower than a quarter note = 80.  Be able to play each scale legato or staccato.
  2. Sight-reading (for those performing live auditions)

 

Repertoire

  1. Excerpts and/or solo, to demonstrate:

 

  1. Technical facility and rhythm: music of a fast tempo containing varied rhythms and articulations, particularly demonstrating the ability to tongue numerous consecutive staccato notes.
  2. Expression and tone: music of a slow tempo containing expressive legato passages with varied dynamics.   

Note: Repertoire should be chosen from the standard clarinet repertoire; specifically well-known concertos, orchestral excerpts, or sonatas and other chamber music.

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Composition

Composition

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About Music Composition

 

The Bachelor of Music degree in Music Composition prepares the student for graduate study in composition and theory or may lead to a professional career in composing, arranging, or related fields.  This major is intended for the student who has considerable talent and interest in the composition of art music.  Students are taught the creative processes in music – not creativity, which is God-given, but the processes by which one can bring forth, develop, and refine the gift.  The degree prepares its graduates primarily for advanced degree programs in composition, from which students then move into various composition-related careers, including writing, arranging, and orchestrating careers in television, film, and other media.  Some find teaching careers in music theory and composition.

 

APPLICATION PROCESS:

All students wishing to enter the Composition program must complete an online application and audition, in addition to submitting a portfolio to the Composition faculty for review.

 

Application:

Complete the online application at http://music.byu.edu/apply. List “Music Composition” as your intended major. List your instrument in the instrument field. Once you complete AND submit the application, sign up for a time to audition on your chosen instrument OR mail a recorded audition.

 

Audition:

All students wishing to major within the School of Music must complete an audition. You must follow the audition requirements for your chosen instrument listed online at http://music.byu.edu.

 

Portfolio:

You must submit to the School of Music office a portfolio of three works you have written, works that you consider your best compositions so far.  These will circulate among the composition faculty. If the portfolio shows promise and your audition, if not competitive, still meets minimum standards for admission, the composition faculty’s positive recommendation could help enable you to be admitted to the School of Music. 

 

Application & Audition Dates, Fall Semester 2013

       

January 15:     Application deadline for both live and recorded auditions.         

 

January 21:     Deadline to schedule a live audition.  Auditions can be scheduled online after the application has been received by the School of Music office.

 

January 26:     Live auditions are held in the Harris Fine Arts Center (HFAC) at BYU in Provo, Utah.

                          Composition portfolios are due in the School of Music office (C-550 HFAC)

 

To apply, visit http://music.byu.edu/apply.

For general information, see the School of Music website http://music.byu.edu.

Questions may be emailed to music@byu.edu or call the School of Music at 801-422-8903.

Portfolios and recorded auditions should be mailed to: School of Music Admissions,

Brigham Young University, C-550 HFAC, Provo UT 84602-6410

 

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Euphonium

Euphonium

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All School of Music applicants must audition on their chosen instrument. To audition, complete a Music Admission/Scholarship Application and submit a letter of recommendation from a qualified music teacher online. Once the audition materials have been submitted to the School of Music, the student may either schedule a time to perform a live audition at BYU, or submit a VHS videotape or audio recording (cassette tape or CD).

It may not be possible to hear all the music prepared for a live audition. Representative samples or sections of audition pieces will be heard. Only those auditioning are allowed in the audition studio. For live auditions, piano accompaniment is not required, but you may bring an accompanist if you'd like.

Admission Application & Audition Dates, Fall Semester 2012

January 15: Application deadline for both live and recorded auditions.
January 22: Deadline to schedule a live audition. Auditions can be scheduled online after both the application and recommendation have been received by the School of Music office.
January 28: Live auditions are held in the Harris Fine Arts Center (HFAC) at BYU in Provo, Utah.

Click here to apply.

Questions? E-mail us at music@byu.edu or call the School of Music at 801-422-8903.

Graduate applicants: Please contact April Clayton at 801-422-1177 or April_Clayton@byu.edu.

Audition Requirements

Technique
  1. Scales: Perform all major scales in two octaves (within the normal range of the instrument) in sixteenth notes at a tempo of = 80 m.m. or faster. Also play a two octave chromatic scale starting on B concert. Play them legato and with single tongued staccato.
  2. Sight-reading (for those performing live auditions).
Repertoire
  1. Excerpts and/or solo, to display:
    1. Technical facility and rhythm: music containing a generous number of passages comprising the equivalent of at least four consecutive sixteenth notes at a tempo of = 80 m.m. or faster.
    2. Expression and tone: slower music chosen to demonstrate ability to play legato and with mature musical feeling.
    3. Literature recommendations for tuba include 1) Air and Bouree by Bach-Bell. (C.Fischer), 2) Suite for Tuba by Haddad (Shawnee Press), and 3) Concertino by Curnow (Tuba Press).
    4. Literature recommendations for euphonium include: 1) English Suite by R. Bernard Fitzgerald (T. Presser), 2) Six Studies In English Folksong by Ralph Vaughan Williams (R. Galaxy Music Corp.), 3) Rhapsody for Euphonium and Brass Band by James Curnow (Rosehill Music), and 4) Andante and Rondo by Capuzzi-Catanalet (Hinrichsen Edition).
  2. Slow and fast movements of sonatas and concertos or slow and fast portions of significant "concert pieces" are highly desirable. Suitable excerpts from advanced orchestra or band literature may also be chosen.

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Flute

Flute

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All School of Music applicants must audition on their chosen instrument.  To audition, complete an online Music Admission/Scholarship Application, including a letter of recommendation from a qualified music teacher. Once the application has been submitted, the student will be able to either schedule a time to perform a live audition at BYU, or mail a DVD or CD recording.

 

It may not be possible to hear all the music prepared for a live audition.  Representative samples or sections of audition pieces will be heard. Only those auditioning are allowed in the audition studio.  For live auditions, piano accompaniment is not required, but you may bring an accompanist if you would like.

 

Admission Application & Audition Dates, Fall Semester 2013

 

January 15:   Application deadline for both live and recorded auditions.

 

January 21:   Deadline to schedule a live audition.  Auditions can be scheduled online after the application has been received by the School of Music office.

 

January 26:   Live auditions are held in the Harris Fine Arts Center (HFAC) at BYU in Provo, Utah.

 

To apply, go to http://music.byu.edu/apply.

For general information, see the School of Music website http://music.byu.edu.

Questions may be emailed to music@byu.edu or call the School of Music at 801-422-8903.

Recorded Auditions should be mailed to: School of Music Admissions, Brigham Young University, C-550 HFAC, Provo UT 84602-6410

 

 

Graduate applicants: Please contact April Clayton at 801-422-1177 or April_Clayton@byu.edu.

 

Audition Requirements

 

Technique

1.   Scales:    Two-octave scales in all major and melodic minor keys. Play slurred. Three-octave chromatic and three-octave C major scales will also be required. Play single tongued at a tempo of quarter note=96 m.m. or faster.

  1. Sight-reading (for those performing live auditions).

 

 

Repertoire

 

1.   Two contrasting movements from the solo sonatas of J.S. Bach, Teleman, or Handel.

2.   The first movements of either the Mozart Concerto in G or in D.

3.   A piece that demonstrates tone quality and technical fluency selected from either the nineteenth-century, French conservatory pieces, or twentieth-century works. 

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Guitar

Guitar

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All School of Music applicants must audition on their chosen instrument.  To audition, complete an online Music Admission/Scholarship Application, including a letter of recommendation from a qualified music teacher. Once the application has been submitted, the student will be able to either schedule a time to perform a live audition at BYU, or mail a DVD video recording.

 

It may not be possible to hear all the music prepared for a live audition.  Representative samples or sections of audition pieces will be heard. Only those auditioning are allowed in the audition studio.

 

Admission Application & Audition Dates, Fall Semester 2013

 

January 15:   Application deadline for both live and recorded auditions.  

 

January 21:   Deadline to schedule a live audition.  Auditions can be scheduled online after the application has been received by the School of Music office.

 

January 26:   Live auditions are held in the Harris Fine Arts Center (HFAC) at BYU in Provo, Utah.

 

To apply, go to http://music.byu.edu/apply.

For general information, see the School of Music website http://music.byu.edu.

Questions may be emailed to music@byu.edu or call the School of Music at 801-422-8903.

Recorded Auditions should be mailed to: School of Music Admissions, Brigham Young University, C-550 HFAC, Provo UT 84602-6410

 

Graduate applicants: Please contact Claudine Bigelow at 801-422-1315 or Claudine_Bigelow@byu.edu.

 

 

Audition Requirements

 

Classical/Contemporary Guitar Repertoire

  1. A movement from one of the lute suites by J. S. Bach.
  2. One of the Preludes by Villa-Lobos.
  3. A movement or entire piece (five minutes maximum) from the Segovia repertoire: Castelnuovo - Tedesco; Moreno - Torroba; Ponce; Tansman; Turina, etc.

 

 

Jazz Studies GuitarRepertoire

  1. For students interested in Jazz Studies be prepared to:
  2. Play major and jazz scales and modes.
  3. Demonstrate an ability to play in the current swing, Latin, and rock idioms.
  4. Demonstrate an ability to “comp” with the rhythm section.
  5. Sight-reading (for live auditions only).   

 

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Harp

Harp

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All School of Music applicants must audition on their chosen instrument.  To audition, complete an online Music Admission/Scholarship Application, including a letter of recommendation from a qualified music teacher. Once the application has been submitted, the student will be able to either schedule a time to perform a live audition at BYU, or mail a DVD (video) recording.

 

It may not be possible to hear all the music prepared for a live audition.  Representative samples or sections of audition pieces will be heard. Only those auditioning are allowed in the audition studio.

 

Admission Application & Audition Dates, Fall Semester 2013

 

January 15:      Application deadline for both live and recorded auditions.

January 21:      Deadline to schedule a live audition.  Auditions can be scheduled online after the application has been received by the School of Music office.

January 26:      Live auditions are held in the Harris Fine Arts Center (HFAC) at BYU in Provo, Utah.

 

To apply, go to http://music.byu.edu/apply.

For general information, see the School of Music website http://music.byu.edu.

Questions may be emailed to music@byu.edu or call the School of Music at 801-422-8903.

Recorded Auditions should be mailed to: School of Music Admissions, Brigham Young University, C-550 HFAC, Provo UT 84602-6410

 

     Audition Requirements

 

 

Harpists should perform two memorized selections representing different styles and periods of composition. Choose repertoire that demonstrates current highest level of technical ability and musicianship.

 

Harpists may either bring their own harp for the audition or use the BYU harp supplied at the audition.  This harp is a Lyon and Healy Concert Grand harp.  Harpists will also be able to practice on the BYU harps the night before the audition and during the 30 minutes prior to their audition time.

 

 

 

 

 

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Horn

Horn

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All School of Music applicants must audition on their chosen instrument. To audition, complete a Music Admission/Scholarship Application and submit a letter of recommendation from a qualified music teacher online. Once the audition materials have been submitted to the School of Music, the student may either schedule a time to perform a live audition at BYU or submit a VHS videotape or audio recording (cassette tape or CD).

For live auditions, piano accompaniment is not required. Only those auditioning are allowed in the audition studio. It may not be possible to hear all the music prepared for a live audition. Representative samples or sections of audition pieces will be heard.

Admission Application & Audition Dates, Fall Semester 2012

January 15: Application deadline for both live and recorded auditions.
January 22: Deadline to schedule a live audition. Auditions can be scheduled online after both the application and recommendation have been received by the School of Music office.
January 28: Live auditions are held in the Harris Fine Arts Center (HFAC) at BYU in Provo, Utah.

Click here to apply.

Questions? E-mail us at music@byu.edu or call the School of Music at 801-422-8903.

Graduate applicants: Please contact April Clayton at 801-422-1177 or April_Clayton@byu.edu.

Audition Requirements

Technique
  1. Scales
    1. Two octaves with the following major scales: C, F, Bb, Eb, Ab, G, D, A, E.
    2. Chromatic scale demonstrating full range (three octaves).
  2. Sight reading.
Repertoire
  1. Solo or etude demonstrating:
    1. Technique
    2. Lyrical quality
    3. Range
    Orchestral excerpts may be used with or in place of a solo or etude.

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Intrumental Ensembles

Intrumental Ensembles

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The instrumental organizations at BYU give interested students a challenging and rewarding opportunity to participate in a wide array of band, orchestra, and chamber ensembles. In addition to concert appearances, the ensembles perform for university devotional assemblies and other large university functions.

Wind Symphony
This group has received national recognition in performances for the Music Educators National Conference and the College Band Directors National Association. The Wind Symphony has an extremely active concert season. Tours in North America, Europe, or Asia take place every other year.
Audition required.

Symphonic Band
This band of select membership performs standard band literature. Because there are fewer performance opportunities, the Symphonic Band is well suited for students who desire a challenging performance experience with a lighter concert schedule.
Audition required.

University Bands
These non-auditioned ensembles meet one evening each week during the winter semester. They provide a great opportunity for non-majors, fall marching band members, and all interested students to continue performing on their instrument as a member of a quality concert band.
No audition required.

Cougar Marching Band
This well-disciplined group brings audiences to their feet with resounding applause. The band entertains millions of football fans at LaVell Edwards Stadium and through regional and national TV performances. In addition to the musical excitement, band members enjoy personal experiences and relationships that can truly enhance their college careers. Marching Band rehearsals begin one week before the start of fall semester; during this week members learn fundamentals and prepare half-time and pre-game shows for the first home football game. Contact the Band Office for audition information at (801) 422-2510 or visit the band website at http://bands.byu.edu.
Audition required.

Pep Bands
The highly visible Pep Bands play for men's and women's basketball games. Band members receive a financial stipend for their service and are largely drawn from marching band membership.
Auditions are held in late October.

Chamber Orchestra
This flexible and highly proficient group explores the varied literature available to small orchestra. Biannual tours have taken the Chamber Orchestra to Europe, Asia, and the Middle East, as well as North America. Members are selected from the Philharmonic Orchestra.

Philharmonic Orchestra
This is the premier orchestral ensemble in the School of Music with approximately 100 players and performs works for large symphony orchestra. Its repertoire is the greatest symphonic literature from over all the music periods.
Audition required.

Symphony Orchestra
The Symphony Orchestra is an auditioned orchestra performing works from the Classical through Modern era.
Audition required.

University String Orchestra
The University String Orchestra, an open-enrollment ensemble, rehearses one evening a week (Thursday) and presents one concert each semester. The group performs standard classical repertoire for string orchestra as well as works of a lighter nature.
No audition required.

University Orchestra
The University Orchestra, an open-enrollment ensemble, rehearses one evening a week (Tuesday) and presents one concert each semester. The group performs full concert repertoire for orchestra as well as works of a lighter nature.
No audition required.

Audition Process

Dates: Auditions are held the first two days of school.

How to Sign-up: Sign-up sheets are posted on the doors listed for your instrument below. This will be your audition for all ensembles (except marching and pep band).

What to play: Most studios are requiring you to play scales, arpeggios, and a prepared piece (solo or orchestral excerpt). Contact the individual conducting the audition for more information.

Instrument Professor Room Phone E-mail Address
Bassoon Chris Smith E-365 422-4918 Christian_Smith@byu.edu
Cello Julie Bevan E-539 422-2187 Julie_Bevan@byu.edu
Clarinet Jaren Hinckley E-464 422-6339 Jaren_Hinckley@byu.edu
Euphonium/Tuba Steve Call E-461 422-6116 Steve_Call@byu.edu
Flute April Clayton E-316 422-1177 April_Clayton@byu.edu
Guitar Larry Green C-397 422-3275 lrmusic@mstarmetro.net
Harp Nicole Brady C-238 422-2979 Nicole_Brady@byu.edu
Horn Larry Lowe E-460 422-3318 Larry_Lowe@byu.edu
Oboe Geralyn Giovannetti E-466 422-3317 Geralyn_Giovannetti@byu.edu
Percussion Ron Brough E-281 422-3320 Ronald_Brough@byu.edu
Saxophone Ray Smith E-221 422-3391 Ray_Smith@byu.edu
String Bass Eric Hansen E-378 422-4135 Bass@byu.edu
Trumpet David Brown E-393 422-3310 byutrumpets@byu.edu
Trombone Will Kimball E-465 422-2375 Will_Kimball@byu.edu
Viola Claudine Bigelow E-545 422-1315 Claudine_Bigelow@byu.edu
Violin Monte Belknap E-543 422-3328 mbelknap@byu.edu

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Jazz Ensembles

Jazz Enzembles

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The seven jazz organizations at BYU give interested students a challenging and rewarding opportunity to participate in a jazz ensemble that exposes them to all facets of jazz literature. Both music majors and non-music majors are encouraged to audition. In addition to concert appearances, the ensembles perform for a variety of university functions.

Synthesis
This award winning band gives advanced instrumentalists the opportunity to experience playing under near-professional conditions. This internationally recognized big band features a blend of jazz, rock, blues, Latin, and fusion styles, with emphasis on improvisation and sight-reading. Performances are frequent and include concerts, jazz festivals, and recording sessions. Synthesis tours internationally and has appeared at most major national and international festivals.
Audition required.

Jazz Ensemble
This talented band offers a high-caliber musical experience with jazz, rock, Latin, and fusion styles and provides opportunities for growth in improvisation. This group performs frequently on campus and has won recognition at Jazz Festivals.
Audition required.

Jazz Legacy Dixieland Band
This traditional Dixieland-style showcase ensemble has performed throughout the United States at festivals and conferences. Competition is keen and the rewards are exceptional!
Audition Required.

Jazz Lab Band
The Jazz Lab Band is a big band similar to the Jazz Ensemble and Synthesis. It emphasizes training in jazz styles, especially swing, and performs occasionally on campus.
Audition required.

Jazz Combos
Each semester several jazz combos are formed. Each combo includes a rhythm section and two or three wind players and/or vocalists. These intimate ensembles provide intensive experience in improvisation and perform frequently. Being involved with the combos is also part of the weekly combo master class.
Audition required.

Jazz Voices
Jazz Voices is a group of 16 jazz singers with an added rhythm section. The ensemble features typical jazz close harmony. Individual members learn to improvise in the styles and idioms of mainstream jazz. Jazz Voices has been featured at international conventions and jazz festivals. They perform on campus and at regional performances.
Audition required.

Vocal Jazz Ensemble
The Vocal Jazz Ensemble is a group of 24 singers with an added rhythm section. It is a great ensemble for talented students who are interested in exploring the vocal jazz idiom. This ensemble performs each semester on campus.
Audition required.

Audition Process

Dates: Auditions for all ensembles occur during the first week of each semester.

How to Sign-up: Instructions will be posted on bulletin boards around the School of Music.

What to play: A prepared piece of music will be provided before the auditions. Auditions will include prepared piece, sight reading, scales, and improvisation.

Ensemble Professor Room Phone E-mail Address
Synthesis Ray Smith E-221 801-422-3391 Ray_Smith@byu.edu
Jazz Ensemble Mark Ammons E-570 801-422-4824 Mark_Ammons@byu.edu
Jazz Legacy Dixieland Band Steve Call E-461 801-422-6116 Stevecall@byu.edu
Jazz Lab Band Mark Ammons E-570 801-422-4824 Mark_Ammons@byu.edu
Jazz Combos Mark Ammons E-570 801-422-4824 Mark_Ammons@byu.edu
Jazz Voices Katie Williams C-550   katiewilliams.music@gmail.com
Vocal Jazz Ensemble Katie Williams C-550   katiewilliams.music@gmail.com

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Jazz Studies

Jazz Studies

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About Jazz Studies

 


The Bachelor of Music degree in Jazz Studies prepares the student with a broad based music preparation and specialized course work leading to graduate studies in jazz or a career in jazz-related performing, arranging, or studio teaching.  The Jazz Studies program trains students interested in jazz and jazz-related styles. High performance standards, stylistic breadth, improvisation, and professionalism are emphasized in a clean, faith-promoting atmosphere.  Jazz Studies courses, which are not restricted to this major, include instrumental and vocal ensembles, combos, combo master class, jazz improvisation (instrumental and vocal), jazz pedagogy, jazz history, jazz arranging, and jazz literature.  The scope of study extends to such jazz-related styles as Latin and contemporary popular music. Jazz Studies majors must meet all music admission requirements, including a performance audition.

 

APPLICATION PROCESS:

All students wishing to enter the Jazz Studies program must complete an online application and audition.

 

Application:

Complete the online application at http://music.byu.edu/apply. List “Jazz Studies” as your intended major. List your instrument in the instrument field. Once you complete AND submit the application, sign up for a time to audition on your chosen instrument OR mail a DVD (video) recorded audition.

 

Audition:

All students wishing to major within the School of Music must complete an audition. You must follow the jazz-specific audition requirements for your chosen instrument listed on the following page or at http://music.byu.edu. It may not be possible to hear all the music prepared for a live audition.  Representative samples or sections of audition pieces will be heard. Only those auditioning are allowed in the audition studio.

 

Admission Application & Audition Dates, Fall Semester 2013

       

January 15:     Application deadline for both live and recorded auditions.         

January 21:     Deadline to schedule a live audition.  Auditions can be scheduled online after both the application and recommendation have been received by the School of Music office.

January 26:     Live auditions are held in the Harris Fine Arts Center (HFAC) at BYU in Provo, Utah.

 

To apply, go to http://music.byu.edu/apply.

For general information, see the School of Music website http://music.byu.edu.

Questions may be emailed to music@byu.edu or call the School of Music at 801-422-8903.

Recorded Auditions should be mailed to: School of Music Admissions, Brigham Young University, C-550 HFAC, Provo UT 84602-6410

 

Audition Requirements

 

Scales– major, minor, modal, and jazz scales

 

  • Pianists:                            Four Octave Scales: all major and harmonic minor scales, hands together, four octaves up and down, in sixteenth notes at a minimum tempo of quarter note = 132 m.m.

 

 

 

  • Other Instrumentalists:     Two Octaves or throughout the range of the instrument

 

 

Prepared Pieces– Please use an Aebersold Play-along for accompaniment where applicable

 

  • Pianists:                            One ballad, one up-tempo tune, and one Latin tune – all from the Standards.  In addition, all pianists must prepare the following:
    1. A major work by J.S. Bach (prelude and fugue, set of dances, toccata, etc.).  Inventions or other similar intermediate level pieces are not acceptable.
    2. Complete sonata, (all movements) by Haydn, Mozart, Beethoven, or Schubert.
    3. A solo work by a 19th or 20th century composer.  This work must be of moderately difficult level or higher, as defined in Maurice Hinson’s Guide to the Pianist’s Repertoire, a standard piano repertoire reference text.

 

  • Other Instrumentalists:     Three selections – one ballad, one up-tempo tune, and one Latin tune – all from the Standards. Additional materials may be required by the studio instructor area.  Please check with the studio instructor prior to scheduling an audition time.    

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Media Music

Media Music

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Students who major in Media Music learn to create music for "the media," or, in other words, radio, television, records, and film. "It all starts with a song," goes an old adage, and so the foundation class in Media Music is the songwriting class, Music 186. Major students them move through a series of required classes and selected electives preparing them for career opportunities. Some aspire to be media composers, arrangers, songwriters, etc. Others find key positions elsewhere in the music industry. Armed with degrees in Media Music, most students enter their careers immediately after completing their undergraduate studies. Some, however, continue on to postgraduate work, seeking advanced degrees in media-related subjects or pursuing related degrees such as law or MBA degrees to further prepare for media-related careers with a slant towards the world of business.

While at BYU, Media Music students have access to a midi project studio housed in the Richards Building, where they create song demos, midi film cues, scores, etc. Scoring student films, positions as teaching assistants, and internships on and off campus are examples of work-related opportunities that can often be part of the campus experience. Media Music majors also have opportunities to showcase original songs in connection wth required coursework.

Media Music students who select electives in sound recording also obtain limited access to Studio Y, a larger recording facility dedicated to student projects.

Admission Application & Audition Dates, Fall Semester 2012

January 15: Application deadline for both live and recorded auditions.
January 22: Deadline to schedule a live audition. Auditions can be scheduled online after both the application and recommendation have been received by the School of Music office.
January 28: Live auditions are held in the Harris Fine Arts Center (HFAC) and in the Richards Building (RB) at BYU in Provo, Utah.

Click here to apply.

Questions? E-mail us at music@byu.edu or call the School of Music at 801-422-8903.

Admission to the Program

  1. The Audition
    Every student applying to the school of music—regardless of the intended major within the School of Music—must audition in some performance specialty: voice or an instrument. The audition is a big factor in gaining acceptance to the School of Music. Contemporary singers intending to majoir in Media Music have one additional audition option: the media voice studio. Contemporary singers who audition often include students who may also play one or two instruments. Students are cautioned thet media voice studio openings are few, usually under ten slots in any given year. Students who have more than one performance specialty are encouraged to audition for as many studios as possible. Once accepted by a performance studio, the requirements in Media Music include four semesters of private instruction, usually taken during the first two years at BYU. (Note: in rare cases private studio instruction is also given to Media Music majors in synthesizer. Please contact rbmusic@byu.edu for details.)
  2. Media Music applicants must also submit a media portfolio directly to Ron Simpson showing original work. This submission is separate from the auditions and helps assess aptitude for the Media Music major.
    Select material that you would use to market yourself to the program. Ideally, a portfolio would consist of three recorded examples of your best original work. If you do not have recordings, include other evidence of your creative work such as lyrics, scores, arrangements, etc. The portfolio may be brought in person or mailed to
    Ron Simpson
    Media Music and Sound Recording Division Coordinator
    1128 Richards Buidling
    Brigham Young University
    Provo, Utah 84602-2018
  3. Transferring to Media Music from within the School of Music
    When a student who is already a music major at BYU desires to transfer into the Sound Recording Technology major, then the following prerequisites must be completed: pass the first-year theory block, pass the second-semester private instruction juries, complete at least one semester of an approved large ensemble, take Music 186: Songwriting, the foundation class for Media Music with grades and in-class performances strong enough to secure the nomination of the teacher in the Media Music program. In many cases projects done in Music 186 will be considered the equivalent of the required portfolio. In other cases portfolio materials may be requested. These lateral moves are administered by Dr. Mark Ammons in the School of Music, and prerequisites include a consultation with Mr. Simpson, the division coordinator.
  4. Transferring to Media Music from another institution
    The requirements are essentially the same as for new students. Heather Severson, music adviser, heather_severson@byu.edu, should be consulted in cases where credits may be transferable to BYU from another institution.

Students with questions not explained above may contact Ron Simpson (801-422-2563) or email ron_simpson@byu.edu. Students having a strong desire to enter this degree program who have not been accepted into the School of Music based on entrance auditions are sometimes successful auditioning in a subsequent year. Mr. Simpson or his assistant may have case-by-case suggestions, such as taking additional private study on their major instrument (Music 160R), performing in an ensemble, and taking General education courses while preparing to audition again.

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Music Dance Theater

Music Dance Theater

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The Music Dance Theatre (MDT) major is a unique integration of the disciplines of Music, Dance, and Theatre. The School of Music, the Departments of Dance, and Theatre and Media Arts have combined their resources to create a nationally accredited course of study leading to a Bachelor of Fine Arts degree. Carefully designed by these three departments, classes feature an innovative, interdisciplinary approach to stimulate the highest level of professionalism for the student who desires to pursue a career as a professional singer, actor, and dancer. Courses include:

Music: private/group voice instruction in belt, mix and classical music theatre styles
Music: theory
Dance: ballet, modern, jazz, and tap
Dance: choreographic styles
Acting: basics for stage and screen
Acting: musical scene study
Acting: dialects
Auditions
Business and ethics
History of Music Dance Theatre

Each year musical theatre stage productions, spectaculars, recordings, local off-campus productions, student films, summer stock and international touring companies provide opportunities for MDT majors to combine classroom and workshop training with practical on-stage experience in preparation for a professional career.

Talent Awards

MDT Talent Awards range from one quarter tuition to full tuition plus voice lesson fees and are awarded based on exceptional music, dance, and theatre performance ability. Talent Awards above the half tuition level are rare.

Students currently applying for Admission to the MDT Program (including incoming Freshmen, Current BYU Students and Transfer Students) need not fill out a separate Talent Award Application. All applicants will be considered for Talent Awards.

Continuing MDT Students fill out a continuing MDT talent award application form (located on website) and return to RB Music Office by January 15, 2011.

Step-by-step Application Process

  1. Apply for admission to the university (online.) Note: Often students do not find out whether they have been accepted to the university until after their audition for MDT.
  2. Complete and submit an incoming MDT Admission and Talent Award Application (on-line) by the deadline listed below.
  3. Submit THREE prescreening DVDs by the deadline listed below. Specific requirements for the content on the DVDs are outlined under "Pre-screening DVDs." The audition committee will review the pre-screening DVDs, and top applicants will then be notified by email and invited to attend the live audition in January.
MAIL DVDs TO:
MDT Admissions
1128 RB PO Box 22018
Provo, UT 84602
DEADLINES
BYU Application December 1 (priority); February 1
MDT Application and DVDs Received by November 15, 2010
Live Audition (by invitation) January 29, 2011

Pre-Screening DVDs

Tips for Audition DVD: A standard DVD will suffice; a studio produced DVD is not required. However, consider the following:

  • Have material well prepared and memorized.
  • Find appropriate locations for performing vocal selections, dance and monologues.
  • Perform your best piece first in each category – one that captures the attention of the adjudicators immediately.
  • Dress appropriately for an audition (see below for clarification.)
  • Please submit only the requested audition material (DO NOT submit recorded selections from past performances).

Audition DVD:
Complete and send THREE DVDs with THREE CLEARLY MARKED CHAPTERS IN THE FOLLOWING ORDER:

Music: Two musical theatre excerpts that demonstrate contrasting vocal sounds or styles. One ballad and one up-tempo selection are recommended.

Tips:
  • Applicants should choose music well suited to their voice and interpretive capability (emotional/acting component is considered carefully in this part of the audition.)
  • MAXIMUM LENGTH of BOTH excerpts combined should be THREE MINUTES or less.
Dance: Prepare and perform a 1 to 2 minute solo that demonstrates your skill in one or more of the following dance forms: Ballet, Jazz (various styles) and/or Modern Dance. The solo should showcase your technical skill and performance ability.
The following dance elements need to be apparent:
  • Overall coordination
  • Strength
  • Flexibility demonstrated through movements such as; extensions and rond de jambs, but not limited to just these skills
  • Full range of motion in both the arms and the legs
  • Musicality, including accents and phrasing
  • An ability to move through the space with ease and fluidity
  • Dynamic and qualitative differences
Tips:
  • The solo can be choreographed by you or someone else. Please INDICATE before you begin your dance WHO CHOREOGRAPHED the dance.
  • Your dress should be modest and allow the viewer to clearly see the motion and dynamics of the dance as well as the line and design of the body.
Theatre: Two contrasting monologues from established play, musical or film scripts. One selection should be comedic; one should be serious/dramatic. Both selections should allow the student to reveal basic honesty and clarity of objectives.

Tips:
  • DO NOT use poetry.
  • DO NOT perform SHAKESPEARE or other verse material.
  • Look for scenes wherein the character you are portraying has a strong need or objective and is speaking directly to an identifiable partner.
  • Select characters that are your gender and race, as well as close to your age.
  • MAXIMUM TIME for BOTH monologues combined is THREE MINUTES.
  • DO NOT wear a costume.

Information

For further information on entrance requirements or talent awards please contact the RB Music Office.

RB Music Office
Brigham Young University
Provo, UT 84602

801-422-2563 ph
801-422-0534 fax
rbmusic@byu.edu

For information on major requirements, please contact Heather Severson, Academic Advisor, College of Fine Arts and Communications Advisement Center, D-444 Harris Fine Arts Center, Brigham Young University, Provo, Utah 84602 or call (801) 422-3777. Information may also be found online here.

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Music Education

Music Education

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About Music Education

A Bachelor of Music in Music Education degree prepares the student for licensure as a public school music teacher, and is a composite of music and education. Graduates may obtain a teaching position, pursue graduate work, or use the degree as professional preparation for other fields of endeavor. There are three programs of study:

K-12 Choral Emphasis (87 hours, including licensure hours, voice majors only)
K-12 Instrumental Emphasis (92 hours, including licensure hours, orchestral instrument majors only)
Elementary Music Specialist (117.5 hours, including licensure hours, a five-year program with dual licensure as an elementary music specialist and as an elementary classroom teacher, any instrument or voice)

Admission Application & Audition Dates, Fall Semester 2012

K–12 Instrumental Emphasis:

The following important dates pertain to instrumental music education applicants:

January 15: Application deadline for both live and recorded auditions.
January 22: Deadline to schedule a live audition. Auditions can be scheduled online after both the application and recommendation have been received by the School of Music office.
January 28: Live auditions are held in the Harris Fine Arts Center (HFAC) at BYU in Provo, Utah.

Upon your successful audition, you are admitted to the BYU School of Music as a General Music Major during your first year of study. Following your first year, you are permitted to declare your desire to enter the music education program. Before being admitted you must pass the first-year music theory courses and the second-semester jury performance. You must also complete Music 176 (which is offered Winter and Summer terms) and be selected for the major through a portfolio and interview-based application process. Students who have a strong desire to teach public school music, who have not been accepted into the School of Music based on the entrance audition, should consider additional private study on their private instrument (Music 160R), performing in an ensemble, and taking General Education courses. They may also enroll in Music 176 and then re-audition at the next opportunity. For more information, please visit this page.

 

K–12 Choral Emphasis:

Upon admission to the university, students interested in the choral education major should enroll in Music 176. This class is prerequisite to applying for the major and is the gateway into the major. It is offered during Winter and Summer terms. At the conclusion of this course, students who desire to apply to music education submit an application to the School of Music, submit a portfolio and application to the Music Education Division, have a private interview with the faculty, take the Aliferis Test (the Aural Skills Exam—see section above), and schedule a live audition with the vocal faculty. Admission decisions are then made and students who are accepted begin the program the following Fall term. For more information, please visit this page.

Elementary Music Specialist:

You may apply for this major as an instrumentalist (including piano) or as a vocalist. Follow the audition and application procedures described above corresponding to your emphasis (instrumental or vocal). For more information, please visit this page.

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Oboe

Oboe

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All School of Music applicants must audition on their chosen instrument. To audition, complete a Music Admission/Scholarship Application and submit a letter of recommendation from a qualified music teacher online. Once the audition materials have been submitted to the School of Music, the student may either schedule a time to perform a live audition at BYU, or submit a VHS videotape or audio recording (cassette tape or CD).

It may not be possible to hear all the music prepared for a live audition. Representative samples or sections of audition pieces will be heard. Only those auditioning are allowed in the audition studio. For live auditions, piano accompaniment is not required, but you may bring an accompanist if you would like.

Admission Application & Audition Dates, Fall Semester 2012

January 15: Application deadline for both live and recorded auditions.
January 22: Deadline to schedule a live audition. Auditions can be scheduled online after both the application and recommendation have been received by the School of Music office.
January 28: Live auditions are held in the Harris Fine Arts Center (HFAC) at BYU in Provo, Utah.

Click here to apply.

Questions? E-mail us at music@byu.edu or call the School of Music at 801-422-8903.

Graduate applicants: Please contact April Clayton at 801-422-1177 or April_Clayton@byu.edu.

Audition Requirements

Technique
  1. Scales: Perform all major scales in two octaves (within the normal range of the instrument) in eighth notes at a tempo of quarter note = 100 m.m. Play each scale twice, once slurred and once staccato.
  2. Sight-reading (for those performing live auditions).
Repertoire

Prepare at least two selections by different composers.
Repertoire should display:

  1. Technical facility and rhythm:
    Music containing a generous number of quick packages.
  2. Expression and tone:
    Slower music chosen to demonstrate legato and with mature musical feeling.

Choose from contrasting periods, slow and fast movements from sonatas and concertos or slow and fast portions of significant "concerto pieces." These selections should be at least the level of difficulty, for example, of the Handel Sonatas for oboe, Carl Nielsen Fantasy Pieces, or the Paladihle Concertante.

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Organ

Organ

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All School of Music applicants must audition on their chosen instrument.  To audition, complete an online Music Admission/Scholarship Application, including a letter of recommendation from a qualified music teacher. Once the application has been submitted, the student will be able to either schedule a time to perform a live audition at BYU, or mail a DVD or CD recording.

 

It may not be possible to hear all the music prepared for a live audition.  Representative samples or sections of audition pieces will be heard. Only those auditioning are allowed in the audition studio.

 

Admission Application & Audition Dates, Fall Semester 2013

       

January 15:     Application deadline for both live and recorded auditions.           

 

January 21:     Deadline to schedule a live audition. Auditions can be scheduled online after the application has been received by the School of Music office.

 

January 26:     Live auditions are held in the Harris Fine Arts Center (HFAC) at BYU in Provo, Utah.

 

To apply, go to http://music.byu.edu/apply.

For general information, see the School of Music website http://music.byu.edu.

Questions may be emailed to music@byu.edu or call the School of Music at 801-422-8903.

Recorded Auditions should be mailed to: School of Music Admissions, Brigham Young University, C-550 HFAC, Provo UT 84602-6410

 

Graduate applicants: Please contact Doug Bush at 801-422-3159 or Douglas_Bush@byu.edu.                                           

 

Audition Requirements

 

Note: memorized auditions are encouraged but not required.

For those with an organ background, perform on the organ:

  1. A work by Bach (prelude and fugue or chorale prelude).
  2. A work from the 19th or 20th-century repertoire, such as a chorale prelude by Brahms, Peeters, Dupré or Pepping; a movement from a Mendelssohn sonata; “Toccata” from Boellman’s Suite Gothique; “Carillon” from 24 Pieces in Free Style by Vierne, etc.
  3. A hymn.

 

For those without an organ background, perform on the piano:

  1. One major and one minor scale, four octaves in parallel motion and contrary motion in two octaves.
  2. One major, one minor, and one dominant-seventh or diminished-seventh arpeggio, four octaves.
  3. A work by Bach (a two-part invention, three-part invention, or a prelude and fugue from the Well-Tempered Clavier.)
  4. One work from the classic, romantic, or 20th-century periods.

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Percussion

Percussion

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All School of Music applicants must audition on their chosen instrument. To audition, complete a Music Admission/Scholarship Application and submit a letter of recommendation from a qualified music teacher online. Once the audition materials have been submitted to the School of Music, the student may either schedule a time to perform a live audition at BYU, or submit a DVD or VHS videotape (not cassette tape or CD).

It may not be possible to hear all the music prepared for a live audition. Representative samples or sections of audition pieces will be heard. Only those auditioning are allowed in the audition studio.

Admission Application & Audition Dates, Fall Semester 2012

January 15: Application deadline for both live and recorded auditions.
January 22: Deadline to schedule a live audition. Auditions can be scheduled online after both the application and recommendation have been received by the School of Music office.
January 28: Live auditions are held in the Harris Fine Arts Center (HFAC) at BYU in Provo, Utah.

Click here to apply.

Questions? E-mail us at music@byu.edu or call the School of Music at 801-422-8903.

Graduate applicants: Please contact April Clayton at 801-422-1177 or April_Clayton@byu.edu.

Audition Requirements

Demonstrate proficiency in the following areas:

  1. Snare Drum: Select an etude that includes rolls, flams, drags, and good dynamic contrast. A good concert style should be demonstrated using buzz rolls and performing with appropriate equipment for orchestral snare drum performance. Suggested literature: Anthony Cirone's Portraits in Rhythm or Garwood Whaley's Recital Solos for Snare Drum.
  2. Mallet Keyboard Percussion: Select a solo or etude that demonstrates your technique and musicianship to best advantage. Suggested literature: one of the 39 etudes from Morris Goldenberg's Modern School for Xylophone, Marimba, and Vibraphone or Garwood Whaley's Musical Studies for the Intermediate Mallet Player. Suggested two-mallet solos: Mitchell Peter's Sonata Allegro or Fritz Kriesler's Tambourin Chinois. Suggested solos for four mallets: Clair Omar Musser's Etude op. 6, no. 9; or Etude op. 6, no. 10; or Mitchell Peters' Yellow After the Rain. Vibe solos: Bill Molenhof's Music of the Day or David Friedman's Mirror from Another.
  3. Timpani: Select a solo or etude that demonstrates a variety of articulation, rolls, and dynamics, and that includes tuning changes. Suggested literature: Firth's The Solo Timpanist or A. Friese - A. Lepak's Timpani Method. Suggested solos: Robert Muczinski's Three Designs for Three Timpani or John Beck's Sontata for Timpani.
  4. Drum Set:
    1. Demonstrate ability to play a variety of styles—swing, rock, samba, bossa nova, songo, mambo, etc.
    2. Perform a solo that demonstrates your technique/abilities to best advantage. Suggested solo's: Murray Houlliff's Drum Set Solos or Rich Thompson's Jazz Solos Vol. One or a solo from Rick Latham's Advanced Funk Studies.
    3. Demonstrate your ability to play brushes, trade fours in a swing or rock style, and play figures from a big band chart or lead sheet.

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Piano

Piano

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All School of Music applicants must audition on their chosen instrument. To audition, complete a Music Admission/Scholarship Application and submit a letter of recommendation from a qualified music teacher online. Once the audition materials have been submitted to the School of Music, the student may either schedule a time to perform a live audition at BYU, or submit a DVD or VHS videotape (not cassette tape or CD).

It may not be possible to hear all the music prepared for a live audition. Representative samples or sections of audition pieces will be heard. Only those auditioning are allowed in the audition studio.

Admission Application & Audition Dates, Fall Semester 2012

January 15: Application deadline for both live and recorded auditions.
January 22: Deadline to schedule a live audition. Auditions can be scheduled online after both the application and recommendation have been received by the School of Music office.
January 28: Live auditions are held in the Harris Fine Arts Center (HFAC) at BYU in Provo, Utah.

Click here to apply.

Questions? E-mail us at music@byu.edu or call the School of Music at 801-422-8903.

Graduate applicants: Please contact Irene Peery-Fox at 801-422-8759 or irene_peery-fox@byu.edu.

Applicants intending to major in Bachelor of Arts, Composition, Media Music, Sound Recording Technology, Jazz Studies, or Music Education: Elementary Music Specialist should contact faculty overseeing those degrees prior to their audition who may request additional performance repertoire, faculty interviews, portfolios or other materials. Note that pianists are not allowed to major in Secondary Music Education. Click here for faculty contact information.

Audition Requirements

Must be performed by memory

  1. A major work by J.S. Bach (prelude and fugue, set of dances, toccata, etc.). Inventions or other similar intermediate level pieces are not acceptable.
  2. Complete sonata, (all movements) by Haydn, Mozart, Beethoven, or Schubert.
  3. A solo work by a 19th or 20th century composer. This work must be of moderately difficult level or higher, as defined in Maurice Hinson's Guide to the Pianist's Repertoire, a standard piano repertoire reference text.
  4. Scales: all major and harmonic minor scales, hands together, four octaves up and down, in sixteenth notes at a minimum tempo of quarter note = 132 m.m.

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Saxophone

Saxophone

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All School of Music applicants must audition on their chosen instrument.  To audition, complete an online Music Admission/Scholarship Application, including a letter of recommendation from a qualified music teacher. Once the application has been submitted, the student will be able to either schedule a time to perform a live audition at BYU, or mail a DVD or CD recording.

 

It may not be possible to hear all the music prepared for a live audition.  Representative samples or sections of audition pieces will be heard. Only those auditioning are allowed in the audition studio.For live auditions, piano accompaniment is not required.

 

Admission Application & Audition Dates, Fall Semester 2013

       

January 15:      Application deadline for both live and recorded auditions.

 

January 21:      Deadline to schedule a live audition.  Auditions can be scheduled online after the application has been received by the School of Music office.

 

January 26:      Live auditions are held in the Harris Fine Arts Center (HFAC) at BYU in Provo, Utah.

 

To apply, go to http://music.byu.edu/apply.

For general information, see the School of Music website http://music.byu.edu.

Questions may be emailed to music@byu.edu or call the School of Music at 801-422-8903.

Recorded Auditions should be mailed to: School of Music Admissions, Brigham Young University, C-550 HFAC, Provo UT 84602-6410

 

Graduate applicants: Please contact April Clayton at 801-422-1177 or April_Clayton@byu.edu.

 

Audition Requirements

  1. Scales: Perform all major scales and the chromatic scale in the full range of the instrument in sixteenth notes at a tempo of quarter note = 96 m.m. or faster.  Play them legato and with single-tongued staccato.
  2. Excerpts and/or solo, to display:

a.   Technical facility and rhythm: music containing a generous number of passages comprising the equivalent of at least four consecutive sixteenth notes at a tempo of quarter note = 80 m.m. or faster.

b.   Expression and tone: slower music chosen to demonstrate ability to play legato and with mature musical phrasing and intonation.

  1. If you have skills in jazz, be prepared to play the following:
  2. The head from a traditional jazz tune (Charlie Parker Omnibook, Traditional Bebop Heads, or a comparable source may be used).
  3. A lead chart from a big band swing tune.
  4. A solo demonstrating your improvisation skills.  Please provide a play-along CD.
  5. Sight-reading (for live auditions only).

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Sound Recording Technology

Sound Recording Technology

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A Bachelor of Music degree in Sound Recording Technology is designed primarily for the student who has considerable talent and interest both in music and in recording theory and technology. Students majoring in Sound Recording Technology prepare for engineering opportunities in the recording industry as well as in related fields such as broadcasting and video sweetening. This degree gives students theoretical and practical experience in the recording of music in an acoustical environment and also includes coursework in the digital recording and digital editing procedures that characterize the recording field today. The program combines rigorous grounding in traditional music subjects with pre-professional course work and project experiences in recording.

Admission Application & Audition Dates, Fall Semester 2012

January 15: Application deadline for both live and recorded auditions.
January 22: Deadline to schedule a live audition. Auditions can be scheduled online after both the application and recommendation have been received by the School of Music office.
January 28: Live auditions are held in the Harris Fine Arts Center (HFAC) and in the Richards Building (RB) at BYU in Provo, Utah.

Click here to apply.

Questions? E-mail us at rbmusic@byu.edu or call the Richards Building Music Office at 801-422-2563.

Admission to the Program

  1. The Audition

    Every student applying to the school of music—regardless of the intended major within the School of Music—must audition in some performance specialty: voice or an instrument. The audition is a big factor in gaining acceptance to the School of Music. Contemporary singers intending to major in Sound Recording Technology have one additional audition option: the media voice studio. Contemporary singers who audition often include students who may also play one or two instruments. Students are cautioned that media voice studio openings are few, usually under ten slots in any given year. Students who have more than one performance specialty are encouraged to audition for as many studios as possible. Once accepted by a performance studio, the requirements in Sound Recording Technology include four semesters of private instruction, usually taken during the first two years at BYU. (Note: in rare cases private studio instruction is also given to Sound Recording Technology majors in synthesizer. Please contact rbmusic@byu.edu for details.)

  2. Sound Recording Technology applicants must also submit a résumé and statement of interest directly to Ron Simpson.
    Since applicants exceed the available slots, we ask for a résumé and statement of interest from each applicant. This is your chance to sell yourself. Tell us such things as how your interest in this field was born, how you would apply the degree in a career, etc.
    If an applicant has examples of recordings he or she has made, then two or three examples may be included. Résumé and statements of interest may be emailed to ron_simpson@byu.edu, faxed to 801- 422-0534, or mailed to:
    Ron Simpson
    Sound Recording Technology Division Coordinator
    1128 Richards Building
    Brigham Young University
    Provo, Utah 84602-2018
  3. Transferring to Sound Recording from within the School of Music
    When a student who is already a music major at BYU desires to transfer into the Sound Recording Technology major, then the following prerequisites must be completed: pass the first year theory block, pass the second-semester private instruction juries, complete at least one semester of an approved large ensemble, take Music 251 and 252, with grades and in-class performance strong enough to secure the nomination of the teacher into the Sound Recording major. These lateral moves are administered by Dr. Mark Ammons in the School of Music and prerequisites include a consultation with Mr. Simpson, the division coordinator.
  4. Transferring to Sound Recording from another institution
    The requirements are essentially the same as those for new students. Heather Severson, music advisor, heather_severson@byu.edu, should be consulted in cases where music credits may be transferable to BYU from another institution.

Students with questions not explained above may contact Ron Simpson (801-422-2563) or email ron_simpson@byu.edu. Students having a strong desire to enter this degree program who have not been accepted into the School of Music based on the entrance audition are sometimes successful auditioning in a subsequent year. Mr. Simpson or his assistants may have case-by-case suggestions such as taking additional private study on their major instrument (Music 160R), performing in an ensemble, and taking General Education courses while preparing to audition again.

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Trombone

Trombone

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All School of Music applicants must audition with their chosen instrument or voice. To audition, complete a Music Admission/Scholarship Application and submit a letter of recommendation from a qualified music teacher online. Once the audition materials have been submitted to the School of Music, the student may either schedule a time to perform a live audition at BYU, or submit a DVD/VHS videotape or CD/cassette audiotape.

It may not be possible to hear all the music prepared for a live audition. Representative samples or sections of audition pieces will be heard. Only those auditioning are allowed in the audition studio.

 

Admission Application & Audition Dates, Fall Semester 2013

 

January 15:         Application deadline for both live and recorded auditions.

January 21:         Deadline to schedule a live audition.  Auditions can be scheduled online after the application has been received by the School of Music office.

January 26:         Live auditions are held in the Harris Fine Arts Center (HFAC) at BYU in Provo, Utah.

 

To apply, go to http://music.byu.edu/apply.

For general information, see the School of Music website http://music.byu.edu.

Questions may be emailed to music@byu.edu or call the School of Music at 801-422-8903.

Recorded Auditions should be mailed to: School of Music Admissions, Brigham Young University, C-550 HFAC, Provo UT 84602-6410

 

Graduate applicants: Please contact April Clayton at 801-422-1177 or April_Clayton@byu.edu.

 

Audition Requirements

 

Technique

  1. Scales: Perform all major scales in two octaves (within the normal range of the instrument) in sixteenth notes at a tempo of a quarter note = 96 m.m. or faster. 
  2. Sight-reading (for those performing live auditions).

 

Repertoire

Two contrasting solos or solo movements, to demonstrate:

  1. A. Technical facility: a technical movement or piece to demonstrate an advanced command of technical skills such as range, slide technique, rapid articulation, and flexibility.

      B.   Lyricism: a contrasting lyrical movement or piece to demonstrate an advanced command of musicality, expressiveness, and legato.

 

  1. If you are interested in the Jazz Studies program, be prepared to play the following:

 

  1. The head from a traditional jazz tune (Charlie Parker Omnibook, Traditional Bebop Heads, or a comparable source may be used).
  2. A lead chart from a big band tune.  Range is not as important as an appropriate style.
  3. A solo demonstrating your improvisation skills.  Please provide a play-along CD. You may use your stereo.

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Trumpet

Trumpet

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All School of Music applicants must audition on their chosen instrument. To audition, complete a Music Admission/Scholarship Application and submit a letter of recommendation from a qualified music teacher online. Once the audition materials have been submitted to the School of Music, the student may either schedule a time to perform a live audition at BYU, or submit a DVD/VHS videotape or CD/ cassette audiotape.

It may not be possible to hear all the music prepared for a live audition. Representative samples or sections of audition pieces will be heard. Only those auditioning are allowed in the audition studio.

Admission Application & Audition Dates, Fall Semester 2013

 

January 15:   Application deadline for both live and recorded auditions.

January 21:   Deadline to schedule a live audition.  Auditions can be scheduled online after the application has been received by the School of Music office.

January 26:   Live auditions are held in the Harris Fine Arts Center (HFAC) at BYU in Provo, Utah.

 

To apply, go to http://music.byu.edu/apply.

For general information, see the School of Music website http://music.byu.edu.

Questions may be emailed to music@byu.edu or call the School of Music at 801-422-8903.

Recorded Auditions should be mailed to: School of Music Admissions, Brigham Young University, C-550 HFAC, Provo UT 84602-6410

 

Graduate applicants: Please contact April Clayton at 801-422-1177 or April_Clayton@byu.edu

Audition Requirements

 

Trumpet auditions are approximately 15 minutes in length and will be recorded. They will take place in E-393 (the trumpet studio).  The purpose of the audition is to demonstrate your ability to perform musically and cleanly in several different styles.  A piano will be available if you choose to bring an accompanist with you. A CD player will be provided if you choose to bring a jazz play-along CD.  Please provide a typewritten list of the works you have prepared for your audition.

1.   Be prepared to play at least one complete movement of a work from the standard solo literature (Haydn, Hummel, Arutunian, Kennan, Barat, Ropartz, Clarke, Arban, or a comparable work).

2.   Be prepared to play one etude taken from a traditional etude book (eg. Arban Characteristic Study, Brandt, Goldman, Caffarelli, Concone, Charlier, or a comparable study).  It should be in a style that contrasts your solo selection.

3.   If you are interested in the jazz emphasis program, be prepared to play the following:

  • The head from a traditional jazz tune (Charlie Parker Omnibook, Traditional Bebop Heads, or a comparable source may be used.
  • A solo demonstrating your improvisation skills.  Please provide a play-along CD.  A player will be provided.
  • A lead chart from a big band tune.  Range is not as important as an appropriate style.

4.   Option: If you have experience with orchestral literature, please indicate so and have two or three orchestral excerpts prepared.

5.   Be prepared to play major scales in all 12 keys.  They should be single tongued sixteenth notes at a tempo of 80 or faster with the quarter note getting the beat.  Play two octaves when it is within your range. All scales should be played both up and down.

6.         Be prepared to play a two octave slurred chromatic scale.  Choose a starting note that will effectively demonstrate your range.  Play this scale both up and down.

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Tuba

Tuba

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All School of Music applicants must audition on their chosen instrument.  To audition, complete an online Music Admission/Scholarship Application, including a letter of recommendation from a qualified music teacher. Once the application has been submitted, the student will be able to either schedule a time to perform a live audition at BYU, or mail a DVD or CD recording.

 

It may not be possible to hear all the music prepared for a live audition.  Representative samples or sections of audition pieces will be heard. Only those auditioning are allowed in the audition studio. For live auditions, piano accompaniment is not required, but you may bring an accompanist if you’d like.

 

Admission Application & Audition Dates, Fall Semester 2013

                                        January 15:                 Application deadline for both live and recorded auditions.

 

January 21:      Deadline to schedule a live audition.  Auditions can be scheduled online after the application has been received by the School of Music office.

 

January 26:      Live auditions are held in the Harris Fine Arts Center (HFAC) at BYU in Provo, Utah.

 

To apply, go to http://music.byu.edu/apply.

For general information, see the School of Music website http://music.byu.edu.

Questions may be emailed to music@byu.edu or call the School of Music at 801-422-8903.

Recorded Auditions should be mailed to: School of Music Admissions, Brigham Young University, C-550 HFAC, Provo UT 84602-6410

 

Graduate applicants: Please contact April Clayton at 801-422-1177 or April_Clayton@byu.edu.

 

Audition Requirements

 

Technique

1.   Scales: Perform all major scales in two octaves (within the normal range of the instrument) in sixteenth notes at a tempo of quarter note = 80 m.m. or faster.  Also play a two octave chromatic scale starting on Bb concert.  Play them legato and with single tongued staccato at a tempo of your choice.

  1. Sight-reading (for those performing live auditions).

 

 

Repertoire

1.   Excerpts and/or solo, to display:

  1. Technical facility and rhythm: music containing a generous number of passages comprising the equivalent of at least four consecutive sixteenth notes at a tempo of quarter note = 80 m.m. or faster.
  2. Expression and tone: slower music chosen to demonstrate ability to play legato and with mature musical feeling.
  3. Literature recommendations for tuba include 1) Air and Bouree by Bach-Bell. (C.Fischer), 2) Suite for Tuba by Haddad (Shawnee Press), and 3) Concertino by Curnow (Tuba Press).
  4. Literature recommendations for euphonium include: 1) English Suite by R. Bernard Fitzgerald (T. Presser), 2) Six Studies In English Folksong by Ralph Vaughan Williams (R. Galaxy

Music Corp.), 3) Rhapsody for Euphonium and Brass Band by James Curnow (Rosehill Music), and 4) Andante and Rondo by Capuzzi-Catanalet (Hinrichsen Edition).

  1. Slow and fast movements of sonatas and concertos or slow and fast portions of significant “concert pieces” are highly desirable.  Suitable excerpts from advanced orchestra or band literature may also be chosen.

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Viola

Viola

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All School of Music applicants must audition on their chosen instrument. To audition, complete a Music Admission/Scholarship Application and submit a letter of recommendation from a qualified music teacher online. Once the audition materials have been submitted to the School of Music, the student may either schedule a time to perform a live audition at BYU, or submit a DVD/VHS videotape or CD/ cassette audiotape.

It may not be possible to hear all the music prepared for a live audition. Representative samples or sections of audition pieces will be heard. Only those auditioning are allowed in the audition studio.

Admission Application & Audition Dates, Fall Semester 2012

January 15: Application deadline for both live and recorded auditions.
January 22: Deadline to schedule a live audition. Auditions can be scheduled online after both the application and recommendation have been received by the School of Music office.
January 28: Live auditions are held in the Harris Fine Arts Center (HFAC) at BYU in Provo, Utah.

Click here to apply.

Questions? E-mail us at music@byu.edu or call the School of Music at 801-422-8903.

Graduate applicants: Please contact Claudine Bigelow at 801-422-1315 or Claudine_Bigelow@byu.edu.

Audition Requirements

Selections must be memorized.
 

Technique

Scales: Any two scales, one in major and one in minor, covering three octaves, in sixteenth notes at a tempo of a quarter note = 96 m.m. or faster. Demonstrate slurred, detache, spiccato, and sautille bowings.

  1. Arpeggios in a major and minor key other than those selected for the scales, played at the same tempo as the scales, three octaves, with slurred and spiccato bowings.
Repertoire
  1. A movement from solo Bach Suite or a Telemann Fantasie.
  2. A slow movement from a sonata, concerto, or a slow piece that demonstrates tone quality.
  3. A fast movement from a concerto that demonstrates technical ability (such as those by Stamitz, Hindemith, Bartok, etc).

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Violin

Violin

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All School of Music applicants must audition on their chosen instrument. To audition, complete a Music Admission/Scholarship Application and submit a letter of recommendation from a qualified music teacher online. Once the audition materials have been submitted to the School of Music, the student may either schedule a time to perform a live audition at BYU, or submit a DVD/VHS videotape.

It may not be possible to hear all the music prepared for a live audition. Representative samples or sections of audition pieces will be heard. Only those auditioning are allowed in the audition studio.

Admission Application & Audition Dates, Fall Semester 2012

January 15: Application deadline for both live and recorded auditions.
January 22: Deadline to schedule a live audition. Auditions can be scheduled online after both the application and recommendation have been received by the School of Music office.
January 28: Live auditions are held in the Harris Fine Arts Center (HFAC) at BYU in Provo, Utah.

Click here to apply.

Questions? E-mail us at music@byu.edu or call the School of Music at 801-422-8903.

Graduate applicants: Please contact Claudine Bigelow at 801-422-1315 or Claudine_Bigelow@byu.edu.

Audition Requirements

Memorization is encouraged, but not required.

  1. A movement from solo Bach, Sonata, or Partita.
  2. A slow movement from a sonata or concerto, or a slow piece that demonstrates tone quality and vibrato.
  3. A fast movement from a concerto that demonstrates technical ability (such as those by Mozart 3, 4, or 5, Lalo, Mendelssohn, Tchaikovsky, Barber, Sibelius, Paganini, Wieniawski, etc.
  4. Beethoven's Symphony No. 7 and the 3-octave scale attached to this document.

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Voice (Classical)

Voice (Classical)

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About Classical Voice

If you are interested in degree programs which require classical vocal training (Performance, Bachelor of Arts, Composition) you must audition for the Classical Voice Division. Those interested in Music Education (Choral Education, Elementary Music Education) do not need to send a DVD; you will audition after completing the gateway course for Music Education (Music 176: Introduction to careers in Music Education. See http://music.byu.edu for more information).  Other degree programs (Music/Dance/Theater, Media Music, Sound Recording Technology) require a separate audition.  Please contact those areas directly for that information. (rbmusic@byu.edu)

 

APPLICATION PROCESS:

Pre-screening:

All vocal students auditioning for the BM in Vocal Performance or BM in Composition MUST complete the pre-screening process. This process includes the following:

  1. Complete the online School of Music application and letter(s) of recommendation at http://music.byu.edu/apply.
  2. Submit an audition recording (DVD or VHS only). The recording must be postmarked byDecember 1. Please see the audition requirements on the next page for instructions on what to prepare.
  3. Prospective students who pass the pre-screening process will be invited to perform a live audition on audition day (the last Saturday in January).  Only the students who have completed the application process – including the recording, application, and letters of recommendation – by December 1will be considered in the pre-screening process for the live auditions in January.

 

Application & Audition Dates, Fall 2013

       December 1:    Postmark deadline for pre-screening audition recordings. Deadline to COMPLETE the online                                                     application at http://music.byu.edu/apply.

       January 9:       Those invited to campus for a live audition will be notified. Those invited who cannot attend live                                                  auditions will still be considered for the program.

       January 21:      Deadline to schedule a live audition if invited after pre-screening. Auditions can be scheduled                                                   online after both the application and recommendation has been submitted.

       January 26:     Live auditions are held in the Harris Fine Arts Center (HFAC) at BYU in Provo, Utah. You                                                           should plan to take the Aural Skills Exam on that day (before or after you audition).

 

To apply, visit http://music.byu.edu/apply.

For general information, see the School of Music website http://music.byu.edu.  

Questions may be emailed to music@byu.edu or call the School of Music at 801-422-8903.

Graduate applicants: Please contact Diane Reich at 801-422-8949 or diane_reich@byu.edu

Please feel free to contact Dr. Lawrence Vincent at 801-422-3165 or lawrence_vincent@byu.edu regarding questions you may have about the classical voice area.

 

Audition Requirements

WHAT TO PREPARE:

1.   Prepare three pieces of contrasting nature (styles, tempo, mood, language) that explore your most successful classical vocal repertoire.  At least one of these selections must be in English. Include literature that demonstrates any language proficiency in addition to English.  Sing your best pieces first.

2.   If your three selections do not fully demonstrate the integration and limits of your full-voiced pitch range, you may wish to conclude with a series of vocalises that do.  The voice faculty may, additionally, ask you to sing a brief portion of a well-known hymn that shows ability to sing with sense of centered pitch.

 

3.   Remember to complete the application online at http://music.byu.edu/apply.

 

VOCAL AUDITION DVD TIPS:

A standard DVD will suffice; a studio produced DVD is not required. However, consider the following tips for DVDs:

  • Find a location that shows the voice - is not too live, but has some reverberation to allow the voice to ring.
  • Dress as if for a live audition. Nice Sunday dress is appropriate.
  • Have music well prepared and memorized.
  • Sing the best piece first—you want to capture the attention of the listeners immediately, and not save the best for last. Choose pieces that show your best singing, and also a contrast of styles.

 

WHERE TO SEND YOUR DVD:

School of Music Admissions

Brigham Young University

C-550 HFAC

Provo UT 84602-6410

 

LIVE AUDITION INFORMATION:

If you are invited to the live audition, be aware of the following: You will select your first song, and the jury will choose from among the other songs you have prepared to complete your audition. A skilled accompanist will be provided; or you may bring your own. Only those auditioning are allowed in the audition studio.

 


 

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